Music has always been a part of my life -- now welcome to the journey. Just a little blog to reminisce, review, rant and rave about the music in my life. "Music is my mother and my father. It is my work and my rest,my blood, my compass, my love" ~Jeff Buckley
Road trippin' with my two favorite allies
Fully loaded we got snacks and supplies
It's time to leave this town
It's time to steal away
Let's go get lost
Anywhere in the U.S.A.
Road Trippin' ~ Red Hot Chili Peppers
You've got the car packed, mapped out your routes, and even have snacks for the first leg of your adventure to wherever...but did you make a playlist?? You're own special playlist reserved for this very special trip?Need some help? Here are some of my favorite road trip playlists for some very unique travels.
2010 PMCarlson
Music Festival Road Trip Playlist You've got your band list, your sunscreen, rainboots, your tent, and your bestest friends in the world. Whether you're driving to Manchester, Hunter, or training it to Glastonbury, music festival playlists are kind of essential. Linking back to some of music biggest festivals to its newest, this list covers decades.
On the Coast Road Trip Playlist It is magic driving along any coast of any continent and having a good playlist adds to the memories. Just make sure you're driving on the correct side of the road before you press play.
90's High School Reunion Road Trip Everyone has those songs that take you back to when you had papers, didn't like gym class, dreamed of your driver's permit, and gum-tacked pictures of Eddie Vedder to your locker.
80's Dance Party Road Trip Whether you remember the 80's or not ... it was a fun time and the music was carefree and had a great beat to have an all out dance party.
There you have it, some starter playlists for a few road trips. Drive safe and hopefully these songs will become part of your new playlists for some of your adventures.
The public mourning of David Bowie continued with two tribute concerts planned on March 31st and April 1st in New York City. The Carnegie Hall March show was announced on what would be the day of David's passing. It was to be a tribute to honor him in person, such as they have done with the Rolling Stones and Bill Withers. The first selling out in two hours, they added the Radio City Show to allow more people to pay tribute to someone who meant so much to many music fans.
No one really knew what to expect. Would it be a fast and furious tribute like Lady Gaga or the toned down and personal tribute from Lorde. We all heard rumors of who might show and had our own wishlist of songs.
In all, both nights gave longtime Bowie fans what they deserved. They sang some hits, some songs unknown to the mainstream, but each artist was left to their interpretation of songs that inspired them. Each song beautiful in the tribute it sent to David Bowie. And each night gave us amazing musicians inspired so much by the spirit of artistic chance.
Carnegie Hall seemed a bit of a dress recital with the sound engineers still trying to figure out their way around Carnegie Hall's sound rules. That aside, the show was nonstop, each artist only pausing to wait their introductions. Each song was chosen by the artist to honor the man of the night. And each artist brought their own interpretation to songs we know well. Many had worked with Bowie himself, making the tribute that more special and meaningful.
Evan Agostino
Carnegie Hall March 31, 2016
Cyndi
Lauper – Suffragette City
Holy Holy – Width of a Circle
Robyn Hitchcock – Soul Love
Laurie Anderson - Always Crashing in the Same Car
Eurene Hutz – Breaking Glass
Debbie Harry – Starman
Joseph Arthur – The Man Who Sold the World
The Mountain Goats – Worn on a Wing
Michael Stipe and Karen Elison – Ashes to Ashes
J. Mascis and Sean Lennon – Quicksand
Bettye LaVette – It Ain't Easy
Perry Farrell – Rebel Rebel
Cat Power – Five Years
Ann Wilson – Let’s Dance
Pixies – Cactus
Rickie Lee Jones – All the Young Dudes
Jakob Dylan – Heroes
The Flaming Lips – Life on Mars?
Choir! Choir! Choir! w/ New York City Children’s Choir – Space Oddity
Radio City had a completely different vibe, from the relaxed atmosphere to people actually dressing up as their favorite Bowie characters. I met people who traveled from as far as Moscow to see the show.
The sound quality was 100% better for this show, which was great since we were allowed to stand and dance for this show. While there were some repeatsperformers, each artist still brought a new performance to us.
Radio City
Ann Wilson -Space
Oddity
Holy Holy - The Width of a Circle
Jakob Dylan- Sorrow
Esperanza Spalding - If You Can See Me
Donny McCaslin Group - Lazarus
Ron Pope-Moonage Daydream
Kyp Malone - The Bewlay Brothers
J Mascis and Sean Lennon -Quicksand
Michael Stipe and Karen Elson- Ashes to Ashes
Pixies -
Cactus
Joseph Arthur -The Man Who Sold the World
The Polyphonic Spree -The Man Who Sold the World
Jherek Bischoff, Amanda… more - Blackstar
Mumford & Sons - It Ain’t Easy
Cat Power - Five Years
Rickie Lee Jones - All the Young Dudes
Perry Farrell - Rebel Rebel
Blondie - Heroes
The Flaming Lips - Life on Mars?
Choir! Choir! Choir! w/ The NYC Youth Chorus - Space Oddity
As opposed to reviewing each song, I offer my highlights for both nights.
Michael Stipe and Karen Elson gave us Ashes to Ashes, but not the cover version you'd expect. As only Michael Stipe could do, they gave us an almost re-invented, spoken word version of the song to follow up Space Oddity.
Gogol Bordello performed the quick-paced and perfect for a gypsy punk cover - Breaking Glass from the album Low. It actually makes you wonder why there were never any accordions or fiddles on the original.
Perry Farrell suits any Bowie tribute and his cover of Rebel Rebel was a highlight that got people on their feet.
I had no idea who the Polyphonic Spree were and shame on me. The band is a hybrid choir with flutes, horns, percussion, and upwards of 20 members at any given time. Their cover of Slip Away was nothing short of inspiring.
Amanda Palmer and Jheric Bischof didn't stray from the element's of Blackstar off Bowie's final studio album of the same name. They simply amplified it with additional vocalists, strings, and a guitar.
As if written for them, It Ain't Easy was not a stretch to cover for Britain's Mumford and Sons.
And for another artist non on the lips of the mainstream, Ron Pope brought his rock, pop, and a bit of 'billy to another track from The Rise and Fall of Ziggy Stardustand the Spiders from Mars. Moonage Daydream is a song that deserve and anthem title. It has sweeping guitar chords and keyboard and alto sax solos. Rob Pope and his band of musicians made this sound like something we'd hear at The Last Waltz and so continued the unique evening of honoring Ziggy.
And although organizers were adamant about no gimmicks -- everyone knew Wayne Coyne and The Flaming Lips would bend the rules, but who else could deliver a great Life on Mars??
And while all of the artists were truly magnificent, including Esperanza Spalding, Debbie Harry, Cyndi Lauper, and the reunited Pixies. The two nights were both the ability of each member of the audience to remember and share their love. What might be the most memorable experience from both nights, was singing along to Space Oddity with Torono's Choir Choir Choir and the New York City Youth Choir. Belting those words, with tears in on the precipice was healing. We all said goodbye to our Major Tom as the last line was sung and the lights went black.
"Space Oddity"
Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills
and put your helmet on
Ground Control to Major Tom
Commencing countdown,
engines on
Check ignition
and may God's love be with you [spoken]
Ten, Nine, Eight, Seven, Six, Five, Four, Three, Two, One, Liftoff
This is Ground Control
to Major Tom
You've really made the grade
And the papers want to know whose shirts you wear
Now it's time to leave the capsule
if you dare
This is Major Tom to Ground Control
I'm stepping through the door
And I'm floating
in a most peculiar way
And the stars look very different today
For here
Am I sitting in a tin can
Far above the world
Planet Earth is blue
And there's nothing I can do
Though I'm past
one hundred thousand miles
I'm feeling very still
And I think my spaceship knows which way to go
Tell my wife I love her very much
she knows
Ground Control to Major Tom
Your circuit's dead,
there's something wrong
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you....
Here am I floating
round my tin can
Far above the Moon
Planet Earth is blue
By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=49403376
I feel like I’m closing up after this. That’s what I feel. It’s my gut instinct. Iggy Pop on Post Pop Depression - Beats1 Radio.
Iggy's 17th album is stellar. The 68 year old collaborated with Queens of the Stone Age's Joshua Homme to bring a raw, sobering mix of Iggy's classic sound and his spoken word acceptance of his own hard life and mortality.
Post pop depression is masterfully aided by Queens of the Stone Age Joshua Homme, softening some of the edges and giving the listener corners to seek solace in. If this is Iggy's last album, it is his gift to us. Break Into Your Heart It's Iggy of then and now. It's Nightclubbing and Iggy who just rejoined The Stooges on stage for a tour. It's Iggy whose seen the best and worst of people. He has a mission in mind - and it's to get through that snow-capped covered heart.
Gardenia He's the sexy spoken word poet. Gardenia, the flower of the night.
American Valhalla This is where Iggy's spoken word gift and thoughts of his mortality eek into the album. It's a reminder that this really could be Iggy's last album.
Where is American Valhalla
Death is the pill that's hard to swallow
Is anybody in there?
And can I bring a friend?
I'm not the man with everything
I've nothing, but my name
In the Lobby Oh Iggy, what is the metaphor for this lobby. This is a dual song, I feel. Maybe his time in Berlin with Bowie, or his time now, looking at the inevitable end. It's about following your past and looking to your future -- and in all begins in the lobby. Sunday Great bass line, poetic lyrics, sly references ... Sunday when you don't have to move. Vulture Simple song with a complex theme - death. It's an amalgam of Morricone-esque showdown music, simple guitar riffs, and Iggy's singing / speaking. He's in showdown mode with mortality. German Days This song can make you both sad and happy - when you wonder if it's looking back to his Berlin days with Bowie. Partying, extravagance, forgotten nights, painful nights, the closest friendship you may ever have ... Berlin and Christ.
Chocolate Drops Iggy is the only one that can tell us that shirt turns into chocolate drops - and get away with it being a really great song.
There is nothing in the stars if you fail to move
There is nothing in the dark, it's just some old excuse
Hanging on, let it go! Paraguay It's angry Iggy on this one --angry spoken word Iggy whose pissed off at the world of corruption.
Look up here, I’m in heaven
I’ve got scars that can’t be seen
I’ve got drama, can’t be stolen
Everybody knows me now
Lazarus ~David Bowie
David Robert Jones was destined to be a glittery, innovative, artistic star. With Space Oddity and The Rise and Fall of Ziggy Stardust and the Spiders from Mars, the world would never be the same. He would constantly metamorphose, never looking for permission, never asking forgiveness. He's created some of our generation's most iconic and almost cult classic songs. He stood along side other rock icons, Freddie Mercury and Mick Jagger, played with Stevie Ray Vaughan and T Rex, and gave us songs that should be considered a part of the gospels of rock and roll.
David Bowie inspired artists and musicians alike. He epitomized inventing oneself over and over. And yet he was inspired by artists and musicians as well. Glam, soul, funk, rock, blues influenced his sound and his soul.
Outside of music he acted and became a part of every 80's kid childhood as Jareth the Goblin King in Labyrinth. His characters were as unique as Bowie himself.
Even on his 69th birthday a few, short days ago, we received more wonderful music from him with the release of Blackstar. Re-invented again, the lyrics as gorgeous as ever, but haunting. His voice still glittery, shining and pure. He always knew and accepted his fame and wanted to be the best and that best was to be superhuman and a star.
The world seems a little less glittery today but the stars a bit brighter. Our starman is now waiting in the sky.
