Wednesday, July 12, 2023

This Next Song Is Only Dedicated To Beautiful People Here Tonight...It Means All of You



Inspired by the famine in Africa, it began with the Do They Know it's Christmas? a single that blossomed into a humanitarian effort reminiscent of George Harrison's Concert for Bangladesh.  It was the who's who of 80's (mainly British) pop music scene. Bob Geldof was inspired to do something - to make a difference. And people caught on to the idea. Festivals were not huge yet and they were all mainly political - Greenpeace, world peace, and fighting against nuclear proliferation.
 

Billed as the Rock Concert of the Decade, Live Aid took place on two separate continents on July 13, 1985. That concert cemented my love of live music. The lineup alone is a time capsule of the 80's: Simple Minds, Madonna, Adam Ant, Sting, Dire Straits, Queen, Elton John, George Michael, Hall and Oates, Pretenders, U2, Spandau Ballet, Run DMC, Tina Turner, the Rolling Stones, REO Speedwagon, The Powerstation, Eric Clapton, and many many many more performers and presenters. Now we are used to TV studio fundraisers - and they do raise a lot of money. But this was different. This was getting all of those people and all of those bands to play - to be heard.


Of course, there were the naysayers who said that the money raised would do no good or would be given to warlords who would just pilfer the money away on weapons.

 Tim Russert, in an interview on Meet the Press shortly after O'Reilly's comments, addressed these concerns to Bono. Bono responded that corruption, not disease or famine, was the greatest threat to Africa, agreeing with the belief that foreign relief organizations should decide how the money is spent. On the other hand, Bono said that it was better to spill some funds into nefarious quarters for the sake of those who needed it, than to stifle aid because of possible theft.

But for many, they paid their ticket or donated their money and just wanted to see some music. Not all of the big bands of the 80's were present (ahem, Boy George).



But there were so many performers that no one would have ever imagined they would see in one day on a stage. Sting sang with Dire Straits, Tina Turner sang with Mick Jagger, and these two lovelies sang a duet. This was also the performance that I broke up with Boy George and wanted to marry George Michael. I had very understanding parents.

Two performances that echo to this very moment in my music soul: U2 and Queen. These two bands captured not only the crowd, but the world. Freddie Mercury hands down had the best performance and commanded Wembley Stadium. Bono took all those people and gave them a big Irish hug.  


U2's performance was very telling of the future of the band. This was pre-Joshua Tree Bono. This was Bono the child pied piper, mulletted, and making women swoon already. I truly believe the Bono we know today was born at Live Aid with Bob Geldof and 70,000 fans as witness.


And who doesn't think of Freddie Mercury's commanding presence and performance at Wembley that summer of 1985. Not knowing we would only have him grace us with his exuberant presence for a short six more years, I would love to be able to go back to that moment. To see him perform Hammer to Fall, rouse the crowd with We Are the Champions, and lead the Radio GaGa chorus is a glorious moment of our rock and humanitarian history.
  
 
We are extremely lucky to have what we do of the ten hours of music. Bob Geldof never wanted something like this to be done again - and most tapes, ABC, MTV, and so on, were destroyed or erased. Some artists such as Led Zeppelin, who performed so poorly that day, were enthusiastically pleased, I am sure. However, there is one irony, that because so many people watched from home, many captured those moments on their new VCR's. You have to admit, hearing Do They Know It's Christmas performed in July in London is a priceless moment. The bad camera angles and missed moments are so glaringly 80's
 
Twenty three performers sang to us from Wembley, and thirty five from JFK Stadium in Philadelphia (Phil Collins is counted twice with his Concorde flight). The goal was to raise £1 million. The final tally was over £150 million or $280 million.
 
We will never have another Live Aid. Not that we do not need it. It was a special moment in time that will never be re-lived. The energy and over the top, care free attitude of the 80's is gone. The irony of Madonna singing Holiday at a fundraiser for Ethiopia famine relief would be lost on many. It was a time of need and fear: Famine and the Cold War. Music was and still is going to solve all the problems in the world. If only it were that easy.


 
 
Well tonight thank God it's them instead of you.
Do They Know It's Christmas? Band Aid

Saturday, July 1, 2023

2188 Stoll Road ... How A Big Pink House Changed Our Musical Roadmap


Sounding less like a polished choir than a wandering militia, they appear displaced, out of time. The voices have no discernible connection to the moment the record arrived in 1968. They might as well be selling elixirs from the back of a horse-drawn rig, moving at the slow, deliberate pace of backroads rural America in the days before [farm-to-table] artisan shallots. ~ NPR - Fifty Years On, The Band's Music From Big Pink

When Rick Danko agreed to a $125 a month rent for a house with a big basement on Stoll Road in Saugerties, he thought he was just renting a place to relax after some time on the road with Bob Dylan. Rick Danko, Richard Manuel, and Garth Hudson were enjoying some normal time after being on the road for so long as The Hawks. Woodstock's mystique and intriguing vibe along with a changing time in music helped to hone a sound that would become The Basement Tapes sessions with Dylan. The band without a name was already well known in the music world, and being called Dylan's Backing Band would only get you so far on your own. The Basement Tapes churned out songs such as This Wheel’s On Fire, Tears of Rage, I Shall Be Released, The Weight, and Chest Fever. The songs were an amalgam of soul, rock, jazz, rock, and a new simple sound to counter the psychedelic sound coming out of the UK in the form of Led Zeppelin. Americana was conceived at 2188 Stoll Road in the big pink house. The Band was born there.




In 1969, Rolling Stone referred to them as the band from Big Pink. And then name that Robbie Robertson suggested finally stuck and The Band was officially born. The aura of that summer and that time is captured in Music From Big Pink. Levon Helm's return to the band solidified the powerhouse. 

While Tears of Rage, This Wheel's on Fire, and I Shall Be Released were written by Dylan, The Band was able to showcase their own song writing ability. Also showcased was their range in vocal talent as each member took a turn at the lead vocals. No, it wasn't perfect. Their voices were straining, but their intentions were pure.


One cannot deny the historic impact this album would have on rock and music history. If you don't believe me, believe Eric Clapton and George Harrison. It is told that Clapton disbanded Cream when he heard Music from Big Pink to create something more authentic. And in the Rock and Roll Hall of Fame induction of The Band, he admitted going to Woodstock to ask to join them - but he never did. Harrison and the other Beatles also appreciated the simple and pure sound enough so that...well just listen to The White Album.

Fifty-five years ago, our music became more simple but more complex. The lyrics were true and well thought. The sound, a composite of the roots for Americana. The Band was catapulted to their proper place outside of Dylan's backing band and into their own realm. Music from Big Pink is a fundamental rock album.



Tears of Rage
To Kingdom Come
In a Station
Caledonia Mission
The Weight
We Can Talk
Long Black Veil
Chest Fever
Lonesome Suzie
This Wheel's on Fire
I Shall Be Released