This Film Should Be Played Loud ... 49 Years of The Last Waltz

What is Shangri-La?
It's a club house where we get together and play. Make records.
  Yeah.           
Kind of better. It's like an office, I guess.It used to be a bordello.
A bordello?
You can tell by the wallpaper.

On November 25, 1976, The Band played what was to be their last show. What they did not know was that, with the help of a handful of very special musical friends and the under the direction of Martin Scorsese, this concert film would become of the greatest concert films every produced. It captured The Band at their summit and put some of our musical greats in a time capsule of musical decadence. While there are musical politics surrounding the making of the film, all should be assured that the music fan only sees what greatness came from that night.

Where else are you going to find Dr. John, Eric Clapton, Joni Mitchell, Neil Diamond, Neil Young, Allen Toussaint, Muddy Waters, Ringo Starr, and Van Morrison performing on one stage. It was an odd era of music as the grandiose behavior and decadence was beginning to wane on many. Bill Graham, concert promoter legend, spearheaded the concert at his venue, Winterland on Thanksgiving Day. Concert goers would enjoy a full dinner before the show.


If you want the full experience, you must watch the film and listen to the recordings. Some of the show's highlights were not included in the final cut. But Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, and Robbie Robertson gave us 11 songs that are a snapshot of an era. The additional songs by the artists are simply the gratuitous adornments to an already glittery affair.

Eric Clapton, Paul Butterfield, and Bobby Charles

From Levon Helm's passionate performance of The Night they Drove Ole Dixie Down to the classic concert closer, The Weight, each song is its own timeless masterpiece. By this point, The Band had been touring for over fifteen years and the excesses began to break everyone down. But to their credit, they ended at their best. While there were subsequent attempts - this was the quintessential The Band.

A great example of the talent of The Band that was on stage at Winterland on November 25, 1976, can be seen and heard in what is the show's opening song. The band is strong, energetic, and seems like they could go on for a few hours. This was actually their last song of the night - over five hours from when they

first started playing.

Because of technology and social media, we will never, ever have moments like these again. You bought paper tickets, probably did lines of coke off your dinner plate, and then sang for over five hours to some of the greatest musicians to play their craft. There was no simulcast or YouTube of it. Besides Scorsese's vision, this is all we have of this moment in time. Music fans had some dinner and watched an amazing show, not realizing they were a part of something so very special that would still be performed and remembered so vividly forty years later.

Levon Helm and Ringo Star

Fairytales and I Love You

November 22nd still hangs in my heart so heavy - the day Michael's smile faded into obscurity and his legend would be tarnished with the actions of his final years. But still, we grieve, we mourn, and we celebrate the rock god of our adolescence.

It's been 28 years since INXS lost their magnetic north. The band has most recently ended their reign, never coming back from that loss of their lead singer. INXS exists now only in our memories. And what glorious memories they are.

Fancy dinner parties, ballerinas on the Charles Bridge, red desert sunsets, beautiful blondes, brunettes, Mad Max underworlds, and motorcycles in Hong Kong painted the video world of INXS. Live Baby Live gave us the Michael we all know. He enthralled the 74,000 fans in attendance at Wembley, making us sway back and forth like high school lovers when we heard the first notes of Never Tear Us Apart and The Stairs. He was a musician, actor, son, brother, friend, and father. What he gave to us and to his fellow band mates are incredible memories, cemented forever in some of the best times of our lives. 

Again, I must thank my flat mates in Sydney for taking that very hot trek to see Michael's memorial. Who knew how many cemeteries there were in suburban Sydney. It was a nod to my past and the musical memories he gave me. I had to thank the man I crushed on for years. It was hard to think how quickly his bright star could quickly be diminished. In our hearts, he lives on as the charismatic lead singer. In our memories, he is the sad ending of a paparazzi nightmare. In our ears, his voice will be forever golden.     

It's so strange
How my life's changed
I know nothing
About the people that I touched

~Michael Hutchence - Possibilities

Tears Fall Down My Face

Michael Hutchence Memorial - Sydney 2000

28 years ago on November 22nd, the music world lost an enigmatic soul. Michael Kelland Hutchence was more than an 80s pop icon. To his fans, he was a free-spirited artist who helped to change the music and video world. He was a musician, actor, father, husband, brother, and son. And yes, he had his demons, but don't we all? 

Michael will forever be remembered as the sexy bad boy with cinnamon curls and caramelized skin. INXS wasn't a stranger to the Australian pop scene in the early 80's. It really was not until Kick in 1987 that they broke through and became known internationally. But like with any band, it was Michael, the lead singer who got all of the attention. Even today, mention Kirk Pengilly or Andrew Farriss and people will just look at you quizzically. 

From Kylie to Helena to Paula, Michael's exploits were tabloid fodder and paparazzi dollars. Once the star began to fall, everyone wanted to know his next move. His death, shocking and heartbreaking, became even more tragic when Paula Yates also died soon after, leaving their daughter without parents. It is also his death that most will remember. For me, it doesn't matter how he died. He's gone. End of story. 

While I love their earlier albums just as much as Kick, X, or Welcome to Wherever You Are, the X tour and subsequent Live Baby Live at Wembley Stadium in 1991 is when Michael was at the very top of his career. My God, they filled Wembley!  This show and tour was a testament to not just INXS, but to Michael's ability to entertain an entire stadium full of fans. 

His loss was not just felt in the world of his fans but in his music family. The band tried to go on, but the night I saw them in Sydney in 2000 was just not the same. The night I met Bono under the Brooklyn Bridge, which just happened to be November 22nd, we hugged over the memory of Michael. 

But you tore a hole in space
Like a dark star, falls from grace
You burn across the sky
And I would find you wings to fly
And I would catch you
I would catch your fall

 Michael Hutchence and Bono - Fly Away

Jeff Buckley ... Everyone's Lover

Jeff Buckley was best described the one night 11 years ago at the Annual New York City Tribute as everyone's lover. That statement could not be truer. Everyone at Arlene's had their "first time I heard Jeff" story, akin to comparing our first night to a sensuous lover. Everyone knows where they were the first time they heard his angelic voice.


What I loved about the event that Robert Urban once produced each year was that it wasn't just a carbon copy of Grace...it was songs that Jeff performed and loved. Starting off with Zeppelin's Kashmir and The Rain Song, the night continued with incredible artists such as Elijah Black, Tracy Stark, Randy Jones, Jason Morris, Tanya Holt, Marcus Simeone, and Gretchen Reinhagen. We heard Everybody Hear Wants You and Mojo Pin covered by Tara Lynne, some Dylan, some Billie Holiday, and Maya Solovey and guests performed gorgeous renditions of So Real, Lilac Wine, and Lover, You Should Have Come Over.  The biggest surprise was hearing Yard of Blonde Girls, covered beautifully by Mike Linkens. Hearing Hallelujah as a duet was simple something none of us had EVER thought of and it was nothing short of magical and Jeff would have loved it.

Another year goes by, and more are discovering the wonder of Jeff that we have all known and loved for years. His mystery will always draw people to him, his (in)famous father deepens the enigma, and we will always wonder what would have become of Jeff had he lived another circle around the sun.

Happy 59th Jeff. We love and miss you. 

Here We Are Now Entertain Us: Nevermind

If my eyes could show my soul,everyone would cry when they saw me smile ~ Kurt Cobain

The album that would  revolutionize the grunge movement was released on September 24, 1991. Not many of us rushed out to buy it ... until we say THAT video. 

While their first album Bleach was popular in the UK, in the US, the new grunge sound was just beginning to permeate the airwaves already thick with LA's hairbands. The previous week, Guns N Roses double albums Use Your Illusion I & II were released to phenomenal sales. Who was Nirvana? Flannel, heavy guitar sounds, and angst was ushered in by Kurt Cobain, Krist Novoselic, and Dave Grohl: Nirvana. MTV and VH1 played music videos and Smells Like Teen Spirit propelled the band into the mainstream. Ironic when you set out to be against it. 

But why has the album been classified as the one to push grunge across the mainstream boundary? What about Pearl Jam's Ten or the Alice in Chain's Facelift? What about Soundgarden? To most, it sounded like noise. To a music lover, it was filled with layers of varying music styles, perfect pitch, and poetic lyrics. Nirvana's Nevermind was the gateway album to all of grunge and to those bands who inspired the grunge movement as well. (See Mother Love Bone, and Green River)

Aside from the music, this shift from LA glam to Seattle grunge was also how many of our generation felt. GENERATION. This album represents a generation and a shift in music trends.  We were in that middle and high school funk. We didn't want high bangs, we wanted docs and flannel and we were tired of everything having to be perfect. We wanted new music. Nevermind was like nothing we'd heard before. 
 

Smells Like Teen Spirit
Kurt Cobain's attempt at sounding like the Pixies and making fun of a 90's teen deodorant was the tipping point for grunge's birth into the mainstream. The video alone was novel, gone were the bikini clad models and welcomed were anarchist cheerleaders in black and dancing custodians at a dingy high school band assembly. The song is filled with chord progressions and nods to power chords of the 70's and 80's. Grohl's drumming and Novoselic's steady bass combine with Cobain's unique yet perfectly tuned voice.

 Our little group has always been
And always will until the end

Hello, hello, hello, how low?

 
In Bloom
If this song didn't convince you of the gifted mind of Kurt Cobain, nothing ever will.  The song is a message to the fans who have no clue what Nirvana were about. This song is driven by the progression of the harder chorus and softer vocals that would be a signature model for many of the band's songs.

The video is the first of many of the 90's to use the old is new again approach, making a parody of 60's music variety shows. 

 
Come As You Are
An eerie song and music video that drew inspiration from the Nevermind cover.It's lyrics are contradictory (take your time, hurry up, choice is yours, don't be late) and it is more subdued than the first two tracks.
 
Breed 
Grohl's machine gun drumming ten second into the song cement a hypnotizing beat along with Krist's bass and Kurt's repetitive lyrics. Repetitive to represent the mundane and ground hog day suburban life.

Lithium
Subdued and poetic, angry and desperate. The song is a telling look into Kurt's mind. 
 
I'm so happy 'cause today
I've found my friends ...
They're in my head
I'm so ugly, but that's okay, 'cause so are you ...
We've broken our mirrors [Alt: We broke our mirrors]
Sunday morning is everyday for all I care ...
And I'm not scared
Light my candles in a daze ...
'Cause I've found god

 The thoughts of a suicidal person and finding god to get you through it.

 
Polly 
A disturbing song that champions a woman who overcame her captor. Poetic again and not fitting fully into the grunge sound, however the soft and pop sound ironically detailed into the thoughts of the captor himself. 
 
Territorial Pissings
Talk about the perfect mosh pit song. While the lyrics seem nonsensical there is this...
Never met a wise man, if so it's a woman

Drain You
Again, gifted lyrics even though lyrics were usually second in the production for Nirvana. 

 
Lounge Act
This song builds: spoken, shouting, yelling. It's also inspired by the bass line, which Kurt felt sounded like something from a cheesy lounge act. The song is also about a messy break up.

Stay Away
The irony is painful: I'd rather be dead than cool. The stardom that this album propelled them into was the exact opposite of what Kurt wanted. 

On A Plain 
I can totally hear early Foo in the "ohh ohh" ... which is fine since Kurt was okay with Dave's side project. It's a band staple and has every one of their signature sounds. It also offers a great transition into the final song of the album.

Something In The Way
 This song is magic. It is simple. It mellows out the anger and angst. There is nothing but Kurts guitar and voice until the drums, bass, and cello are softly mixed in. 

We may never have a moment like this again in our lives. We witnessed a musical transition in our generation. A musical revolution that happened at the same time when we transitioned from cassettes to CDs. A time when we used to go buy physical copies of music and play it from start to finish. Personally, I can remember who I was with and where I was when we first played this album. It was bold, different, and emotional. Music up to this point had been pop, sap, and a pancake make-up false facade. 

Kurt, Krist, and Dave gave us a platform and a soundtrack for our generation. We could be ourselves, angry, frustrated, and confused. Nevermind gave us an outlet. Nirvana also opened a world of music to many that never would have heard of. Nirvana was put into our lexicon before the word grunge, so the two have become synonymous. 

Mingle With The Gods Mingle With Divinity: Blood Sugar Sex Magik

I remember thinking that nothing could be any better than the 1989 Chili Pepper's Album Mother's Milk. I could not have been more wrong. While George Clinton's funk was still prevalent, Blood Sugar Sex Magik brought us heavier sounds and some pretty heavy topics. The album also debuted at the height of MTV and actual videos. The silvery desert debut of Give It Away thrust us into a powerful era and gave us potentially the best album The Red Hot Chili Peppers will ever produce.

Recorded in Houdini's reportedly haunted Hollywood mansion, the non-studio produced album was full of originality and chances taken by the band. Hillel Slovak had passed not even five years earlier and John Frusciante would leave soon after this album hit full popularity. For those looking for songs like Higher Ground or Knock Me Down, there would be disappointment.

Blood Sugar Sex Magik is full of sex and drugs. Make no mistake, this album is a purge valve of hedonism, lust, drugs, regret, loss, and more sex. In the era of PMRC stickers, I was not able to get this one in at National Record Mart ... but go it a a yard sale! Way to circumvent the system. 

I quickly understood why it got the Parental Advisory sticker as there were more references than Darling Nikki that made me blush and run to turn down the cd player. 
This became my album (along with the Metallica Black album). Well not just mine. Mine and my best friend's album. So much so that we bought the shirts and also taped RHCP's on Pirate Radio - and listened to it over and over and so on. Anthony and Flea were like gods to us ... and Anthony seemingly knew his looks and fame were powerful. So much of this is evident in the album and it was also another reason why Frusciante would leave the band.


The Power Of Equality
The first few seconds are deceiving. It sounds like Anthoy is singing into a pillow and then boom ... Swing. It's quick and gets you really moving and ready for the album. It was hit hard politically as the song is very motivated by the discussion of race, bigotry, sexism, and hatred. 

If You Have To Ask
Very poetic and sing songy and with some Clockwork Orange language worked in. New vibe in the one for the Chili's and it worked. 

Breaking The Girl
Slowing it done and showing us what they are  really made of  in terms on content. It's the quintessential "our relationship was really rocky. This video though -- full of color and Anthony's Princess Leah manbuns. Low in Flea's bass but high on percussion.

Funky Monks
They're in a band. There are no monks in their band. There are no saints in the land ... no woman is able to escape their lure...because every man has certain needs.  Moving right along.  

Suck My Kiss
Fleas bass is heavy in this one ... like a big hug wrapping those strings around you. Anthony and those ladies. 

I Could Have Lied
Rumored to be about Anthony's very brief fling with Sinead O'Connor. It's a gorgeous acoutic guitar driven question about love and loss. 
Mellowship Slinky In B Major
Lots of B Major chords mixed throughout ... and a favorite of funk and James Brown. Lots of references to famous people ... including Anthony himself (Yo Swan).

The Righteous & The Wicked
Still such a relevant song about war, peace, and the state of the world. Lots of complexity in this song and has the build of Higher Ground.
Marvin Gaye my love, where did we go wrong?

Give It Away
Seriously crank this song. It's magic and alive and inspired by materialism. 
This video is the 1990's. 

Greedy little people in a sea of distress
Keep your more to receive your less
Unimpressed by material excess
Love is free love me say hell yes

Blood Sugar Sex Magik
A personal favorite. This song is lust about every aspect of a woman. The lyrics are like spoken word. I always wanted Anthony to sing this to me.  

Under The Bridge
The song that everyone knows as soon as you hear the first few notes. Such a therapeutic song for Anthony as it tells about his trials with drug addiction. 

Naked In The Rain
A fun song about loving life. 

Apache Rose Peacock
New Orleans. Women. Drag queens. Funk. Stop.

The Greeting Song
Driving song - pun intended. More women. More sex. And fun. Driving bass but not overpowering. 

My Lovely Man
Written for their guitarist Hilel Slovak. It's a letter of loss, respect, and love. 

Well I'm cryin' 

Now my lovely man 

Yes I'm cryin' 

Now and no one can 

Ever fill the 

The hole you left my man 

I'll see you later 

My lovely man if I can

In my room 

I'm all alone 

Waiting for you 

To get home

Sir Psycho Sexy
You have to love that Anthony makes fun of himself so much. Don't listen to this outloud if you've never listened to it before. Prepared to be shocked if you have delicate ears.

They're Red Hot
Ending of a completely different note. 
Fast, jazzy, and hot. Take with caffeine. 

September 10th, 2001

Where were you when the world stopped turning on that September day?
Teaching a class full of innocent children
Or driving down some cold interstate?

Did you feel guilty
'Cause you're a survivor
In a crowded room did you feel alone?
Did you call up your mother
And tell her you loved her?
Did you dust off that Bible at home?

Did you open your eyes, hope it never happened
Close your eyes and not go to sleep?
Did you notice the sunset the first time in ages
Or speak to some stranger on the street?

Alan Jackson - Where Were You When the World Stopped Turning

Twenty-four years ago today, life was simple for us. Terrorism was in the Middle East, Northern Ireland and Colombia. Twenty-four years ago today, we could look at an azure sky and enjoy it for what it was – pure, deep and inviting. People rode the subways, planes and buses without cause for concern. Washington D.C., Shanksville PA and New York City would never be mentioned in the same sentence on September 10, 2001.

Twenty-four years ago today, we saw and spoke to friends and family members for the final time. We watched as firefighters parked their cars at the firehouse for the night tour, hoping to watch the Giants-Broncos game between runs. Police officers stood at roll call for a quiet September night patrolling the city. Husbands, wives and flight attendants packed for their flights the next morning.

Twenty-four years ago today, we said goodbye to our innocence as we woke to a new world. In 102 Minutes, our lives would be forever changed.

Now, blue skies remind us of that day when they were blackened by smoke, when we heard the skies become silent and saw many act courageously in their final moments. Statements like, Let’s Roll and We're Three Truck and We’re Still Heading Up exemplify moments of bravery and final acts of humanity in a day filled with so much fear. Stories of the fire safety director who wouldn’t leave the Trade Center until he accounted for all of his employees, the equities trader with the red bandanna who saved 12 people, the final fight for their lives on board a hurdling plane, the firefighter running through the Brooklyn Battery Tunnel in full gear to do his job, the police officer last seen as she helped victims to safety -- each one of these heroes gave their lives for others...this is what September 11th should be remembered as...selfless acts of courage. Our September 10th heroes looked up to our September 11th heroes in the following days. 

Twenty-four years ago on September 11th, our world changed, and it will never go back to the way it was. Something always reminds you of that day – a song, a fire truck, a plane, dust on the sidewalk. Although we must move on – never forget the sacrifices, the unspoken hurt that still remains, the friend’s phone number still on the cell phone after ten years or the want of a memorial for those never recovered.

Future generations won't know what life was like before this day. They will hear about it in reminisced stories by survivors, witnesses, victims' families, songs and TV. It is our job to keep the memories alive of the almost 3,000 victims who perished that day, the first responders who are dying now as a result of their rescue and recovery work and our soldiers who fight to defend our country. Our future generations need to know more than we were attacked by terrorists. They need to know that we were attacked by terrorists and brave human beings from 90 countries - civilian and military and even a bomb sniffing dog, died and many survived through brave acts by fellow human beings. They also need to know that day was hell -- it was terrifying to not know what was next, to watch humans perish in front of our eyes on live satellite television.  Life was extinguished and disappeared in an instant and we all experienced or watched it first-hand.

Twenty-four years on -- we have grieved, we are remembering, we are moving along, but we will never forget.